Since 1989

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  • Gorilla Clinic

    Skate, Style, and Discipline: Yuto Horigome for Gorilla Clinic

    Creative Director
    Jun Fujiwara
    Assistant Director
    Ryota Ichikawa
    Production Manager
    Miho Takano
    Director
    Yuro Kosaka
    Japan Producer
    Shinsuke Toyoda
    Director
    Naruhiro Imaizumi
    Production Manager
    Yua Tateno
    DP
    Gen Ito

    For five days under the California sun, Hideoki & Co. brought Tokyo’s creative pulse to Venice Beach. The project was for Gorilla Clinic, Japan’s men’s aesthetic clinic chain, in partnership with Grand Design Agency and Tsumugu Brothers Japan. The location: the iconic Venice Skate Park, where concrete curves meet Pacific blue.

  • Ist AC
    Joji Yanagizono
    Photographer
    Keisuke Nishitani
    Offline Editor
    Caviar
    Online Editor
    qooop, Inc.
    Retoucher
    Jene’s
    Mixer
    字引 康太
    Music
    Syn

    Leading the lens was two-time Olympic gold medalist Yuto Horigome, returning to his second home: the skate bowl. From the first light test to the final drone sweep, this production was a study in precision and adaptability.

    Day 1: Tech Scout
    U.S. Production, led by Chief Producer Mitsu, did the light study, wind flow, and camera angles in relation to the curve of the bowl. Every frame was plotted for movement, reflection, and energy. Venice Skate Park, familiar to skaters, was reimagined as a cinematic vessel.

    Day 2: Prep
    Casting director Gary Sato brought in the best of California’s skate scene. Yuto rehearsed with his stunt double, calibrating every transition until the camera could cut between them without a blink. Gear checked, stunts mapped, safety rehearsed. Precision dressed as ease.

  • Day 3: Shoot
    California was alive with energy that day, bright and real in a way you could feel. Yuto sliced through the air, calm and focused. Drones hovered overhead, front and center, while glide rigs buzzed around nearby. It was creative chaos, but in the best way; every moment caught on camera told its own story.

    Day 4: Weather
    The shoot paused when a tsunami warning crossed from Japan. The skies stayed calm, but the crew held position until it cleared. After filming resumed, chief producer Mitsu, Hideoki’s multi-hyphenate lead, designed a custom water-tank rig using local materials. The setup bent sunlight and motion through the frame, creating an underwater perspective and a realistic visual.

    Day 5: Routine
    Before wrapping, we captured something quieter: Yuto’s day-in-the-life, and behind-the-scenes of an Olympian. It grounded the campaign in humanity, discipline, and not just spectacle. The result is a 9-minute Real Routine in LA video.

    When the post was wrapped in Tokyo, the footage leapt onto the massive LED towers of Shibuya Crossing, and OOH visuals were visible everywhere. Synchronized screens pulsed with Yuto’s movement, a skate sequence reborn in electric scale. Passersby stopped mid-scramble; the ocean light of Venice now washed over Tokyo’s busiest intersection.

    At its core, Hideoki & Co. delivered the kind of visual craft that only comes from total immersion in the process: scouting, building, adjusting, studying, then capturing.